On a well set up system, then the streaming of all channels doesn't matter that much.
I can drive for example two UFX+ and an ADI-2 Pro FS, channel count: 194 IN, 196 OUT.
I am using a big Cubase project for testing whats possible in terms of audio playback without audio loss
with only 32 sample ASIO buffer size.
It's good for me to have something like this for testing to see whether something changed on my system
performance wise over time or i.e. to compare different Windows settings and versions.
I am able to playback a large Cubase project with this setup with
- 400 tracks
- 1 EQ and 1 compressor per track
- with 32 samples ASIO buffer size
- @44.1/96 kHz without audio loss.
https://www.tonstudio-forum.de/blog/ind … cks-de-en/
If you setup your system right component/performance wise, use good BIOS and system settings, then it should be none of an issue to use an UFX II with "only" 30 channels.
Be aware of, that 32 samples ASIO buffersize is nothing that you use every day in production. The lower the ASIO buffersize the higher the CPU load because the CPU will be more busy to get all the audio packets in time.
For "every day use" you will use higher buffersizes like 128, 256 or even more to have more safety that no audio loss happens.
If you record only with Mics then you can even use much higher values as latency in this case does not really matter.
If you connect a guitar to an Instr Input and play over an VSTi (virtual guitar amp in your DAW) then you need lower ASIO buffer settings because you need then a RTL (round trip latency) of under 10ms to be able to play in time.
With more delay than approx 12ms you start immediately to slow down while playing.
Some drummer are even more pickier about RTL.
With the excellent RME driver this means for i.e. an UFX, UFX II, UFX+, that you you can use ASIO buffersizes up to 128 and for me personally 256 is still possible to play through such a virtual amp.
My system setup as an example for components, here: https://www.tonstudio-forum.de/blog/ind … mponenten/
If you are not familiar with hardware selection, BIOS and Windows finetuning, then there is a possibility to buy a turnkey system for audio. For people with IT background it's an interesting journey to put together a high performance silent system suitable for recording, video editing, gaming, office work, virtualization.
One of the most important factors is to
- get good hardware
- performant CPU with high number of cores but also high single thread performance over approx 3.5 GHz
- avoid bad drivers
- avoid bad add-on tools from mainboard vendor like blower control, BIOS updater, etc (they usually slow down performance)
- turning off energy saving in the BIOS
- try to keep the CPU stable on one clock rate (frequent clock changes also slow down performance a little)
- high performance profile in Windows
- Windows optimized for background tasks
- Disabling CPU core parking
- Disabling auto update of Windows and Programs/Tools
And, to prevent randum startup of programs while recording:
- Disabling some automatic windows background tasks
- Disabling some Windows Services
BR Ramses - UFX III, 12Mic, XTC, ADI-2 Pro FS R BE, RayDAT, X10SRi-F, E5-1680v4, Win10Pro22H2, Cub13